By 1985, many of the trends that came to define ‘80s music were well underway. Some new ones were also beginning to develop, while some of the most impactful artists of the era were just beginning their careers.
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As such, February 1985 represents an interesting juxtaposition of the old and the new when it comes to the top releases of that month. Here are five unforgettable albums that were released 40 years ago this month.
Songs From the Big Chair by Tears for Fears
The New Romantic movement started with artists who, first and foremost, brought plenty of flash—both visually and musically. As the decade progressed, the second wave of that British New Wave featured artists who were getting into heavier stuff. Consider Tears for Fears at the forefront of that movement, with Songs From the Big Chair their statement of purpose. There’s some intense (“Shout”), thoughtful (“Everybody Wants to Rule the World”) stuff throughout, with the occasional lighthearted touch (“Head Over Heels”) to keep things balanced.
Meat is Murder by The Smiths
On just their second album, this quartet was already churning out what could be considered their classic sound. Johnny Marr’s layered guitar approach was already in full effect, and they had killer song titles to spare (“Barbarism Begins at Home”). Unafraid to sing his truth (as on the broodingly majestic title track), Morrissey established himself as a truly unique frontman, his vocal melodies alone worth the price of admission. Nine songs here, and every one of them captivating. Not bad at all for a sophomore effort, wouldn’t you say?
Whitney Houston by Whitney Houston
Because she didn’t write her own stuff, Whitney Houston spent her career fighting to find material suitable to her immense singing talents. That was an issue right from the get-go, as Clive Davis and company were scrambling just to find songs she can sing for the debut. The fact multiple producers were involved also makes the album of an erratic listen. But when things were simplified, and unfussy torch songs like “You Give Good Love” and “Saving All My Love for Now” were in front of her, Houston overcame all obstacles.
The Firm by The Firm
Largely forgotten by all but Led Zeppelin enthusiasts, The Firm popped up as a Jimmy Page side project for a couple of ‘80s albums, and then quickly disappeared. What’s interesting about them is Page shared the spotlight quite freely, keeping the guitar pyrotechnics to a minimum and letting Paul Rodgers’ vocals take center stage. Sultry grooves sneak in now and again, especially on the hit single “Radioactive,” proving Page and company had their ears tuned to the sounds of the day. The writing doesn’t always soar, but the performances certainly do.
No Jacket Required by Phil Collins
At the time of its release, Collins was so ubiquitous that No Jacket Required wore on the nerves of music fans. It didn’t help its cause that the big hit singles (“Sussudio,” “Billie Don’t Lose My Number,” and “One More Night”) were the ones on the record that kind of lose their luster the quickest upon repeated listens. But if you dig deeper, you’ll find more of the weird, exotic, evocative stuff for which Collins doesn’t get enough credit, such as the Sting-assisted “Long Long Way to Go” and the soulful “Doesn’t Anybody Stay Together Anymore.”
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