Album Reviews

The Secret Sisters Are Simply Stellar on ‘Saturn Return’

The Secret Sisters | Saturn Return | (New West)

4 out of 5 stars

Videos by American Songwriter

The secretโ€™s out. 

The Muscle Shoals based folk/pop sister duo of Laura and Lydia Rogers received high profile production and backup assistance on 2017โ€™s You Donโ€™t Own Me Anymore from Brandi Carlile and her longtime Hanseroth twins band. That exposure, and of course the Rogers siblingsโ€™ sumptuous harmonies and introspective songs, helped put The Secret Sistersโ€™ third album in front of far more listeners than before. Perhaps not surprisingly then, that collaboration has returned for album number four.   

This next go-round, three years later, kicks off with the a cappella harmonies of Laura and Lydia singing about respecting ageing women in โ€œSilverโ€ with โ€œLook upon your mother and the silver in her hair/Consider it a crown the holiest may wear,โ€ sounding like a female version of the Everly Brothers. Itโ€™s a sweet, genuine show of reverence and a continuation of motherhood passed down through generations. The following โ€œLate Bloomerโ€ picks up that thread with a lovely Carole King-styled piano based ballad โ€œLate Bloomer.โ€ The song concerns both the frustrations of the inability to conceive a child, and the joy of finally being able to, in a better-late-than-never scenario. It boasts a chorus so effortlessly melodic and soulful youโ€™ll be singing โ€œIt matters that you doโ€ after the last note has faded.   

In the charming country waltz-time โ€œTin Can Angelโ€ the sisters look for assistance from above as their harmonies soar on โ€œI want your wings to carry me onward/And your halo to light my way.โ€ On the other side of that angelic coin is โ€œWater Witchโ€ where the duo join on a darker chorus of โ€œI am the witch of the water/I come like a thief in the night,โ€ for one of this discโ€™s tougher, less delicate moments. 

The most obvious pop track is โ€œHand Over My Heartโ€ which sounds like it might have emerged from the Laurel Canyon craze during that regionโ€™s easy flowing, radio ready 70s heyday. The production and smooth groove injects a stirring Mamas & Papas feel into the squiggly synths and the duoโ€™s adorable humming. Even the somewhat overly sentimental love song โ€œHold You Dearโ€ succeeds because of the honesty and integrity of the performance, along with a perfectly placed string quartet that appears out of nowhere. 

While some may complain about the ballad vibe that envelopes most of these ten tunes, thereโ€™s no doubt that The Secret Sisters, and their famed production and musical support team, have tapped into a well, secret sauce that makes this beautifully conceived, often introspective but never insular rootsy folk and pop so unique and immediately likeable.