The List

4 Superior Bass Lines That Will Inspire Any Aspiring Rock Musician

Who doesnโ€™t love a good bass line, especially in rock music? These four songs feature very prominent and memorable bass lines, and we think theyโ€™d inspire any aspiring rock bassist to keep pushing forward with their craft. Letโ€™s take a look!

1. โ€œAnother One Bites The Dustโ€ by Queen

No matter your age, you can probably hear this bass track from a mile away. John Deacon is an incredible bassist, and his talents were on full display throughout this stellar 1980 funk rock track. 

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In a way, Deacon was very underrated during Queenโ€™s heyday. He wrote some of their best songs, including โ€œI Want To Break Freeโ€. Deaconโ€™s pulsating rhythm is what really sets the mood and carries on the flow of โ€œAnother One Bites The Dustโ€.

2. โ€œLongviewโ€ by Green Day

Throughout โ€œLongviewโ€ Green Dayโ€™s famed bassist Mike Birnt is more or less playing lead. And it works. The tone of this 1994 punk rock song is very playful, and Dirnt takes a direct and almost aggressive approach to his bass track throughout the song. In a way, itโ€™s like a walking bass line; and not something youโ€™d hear in your typical punk song.

3. โ€œSchismโ€ by Tool

Virtually every song by Tool sounds (and more or less is) a mathematical equation. Everything is meticulously written, and the results are usually stunning. 

On โ€œSchismโ€, bassist Justin Chancellor holds down the whole song with his disorienting, unique bass riff. He changes up time signatures about halfway through his performance, and the result is something both uneasy and incredibly captivating. That breakdown is particularly juicy, too.

4. โ€œJerry Was A Race Car Driverโ€ by Primus

Primus has always been the kind of band to put bass lines front and center. In fact, some of their most memorable songs feature prominent bass tracks. โ€œJerry Was A Race Car Driverโ€ is just one of many.

Les Claypool plays his bass like a lead instrument throughout this song, and he even uses a variety of ear-catching tapping methods to really pull in the listener. Like โ€œSchismโ€ by Tool, Claypool manages to create a disorienting and unforgettable soundscape with his bass alone.

Photo by Anthony Pidgeon/Redferns

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