
Loretta Lynn
Full Circle
(Sony/Legacy)
Rating: 4.5 out of 5 stars
Only an icon as staunchly indifferent to commercial concerns as Loretta Lynn would release arguably her finest and surely most genre-breaking work โฆ then wait more than a decade to follow it up. Jack Whiteโs substantial involvement in 2004โs Van Lear Rose helped Lynn cross over to a younger demographic. But, just over 10 years later, the reflective Full Circle is nearly the antithesis of its tougher predecessor.
As this albumโs title implies, the coal minerโs daughter returns to her beginnings, which means pure C&W and backwoods Appalachian music. That includes a few nuggets from the Carter family, traditional gems (โIn the Pinesโ) and even spirited re-recordings of her own hits โFist Cityโ and โEverybody Wants to Go to Heaven.โ Keeping the project rootsy are her co-producers; daughter Lynn Russell and Johnnyโs son John Carter Cash who maintain a firm grasp on a clean, uncluttered approach. Only the barely-there appearance of Elvis Costello on the terrific Lynn-Todd Snider co-written cautionary ballad to a recently departed ex, โEverything It Takes,โ makes concessions to a younger audience. Lynnโs ubiquitous peer Willie Nelson also appears to swap vocals and harmonize on the subdued closing โLay Me Down.โ
To emphasize the discโs title, the 83-year-old Lynn kicks off with โWhispering Sea,โ introduced as the first song she wrote. Still feisty, she tells her band to โlet it rip boysโ as the musicians lay down a sweet and tangy waltz time tempo.
Themes of aging appear regularly as in a remarkably plucky rendition of โAlways on My Mindโ and a bold take on her own โWhoโs Gonna Miss Me?โ (โwhen Iโm gone,โ continues the chorus). Nothing feels musty or overly melancholy and Lynnโs age-defying vocals remain powerful, crisp, clear and extraordinarily vibrant.
As both a comeback and perhaps a farewell to recording, withย Full Circleย Lynn continues with the style, talent and class that have personified her lengthy, legendary career.








