Yungblud/Yungblud/Geffen Records
Three and a half out of Five Stars
Dominic Richard Harrison, AKA Yungblud, has managed to attract quite a respectable following despite a relatively abbreviated career. Both an artist and an activist, he bridges the divide between rap, hip-hop, and modern pop in ways that allow his music to remain accessible to all. Now three albums on, heโs made his best bid for overall success so far, courtesy of an eponymous offering that shares some real circumstances with a forthright and frenzied approach that leaves little to the imagination.
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Still, despite his relatively young ageโheโs barely 25โhe conveys a remarkable sense of self-awareness, and if he seems especially vulnerable on some of these songs (I love myself but thatโs alright, he insists on the album opener โThe Funeralโ), one gets the sense that heโs speaking for others that imagine themselves in a similar scenario. The insistent strains of that particular offering bring to mind Billy Idolโs โDancing With Myselfโ in both tone and tempo. Likewise, the tracks that follow in rapid-fire successionโโTissues,โ โMemories,โ โCruel Kidsโ and โMadโโare equally expressive given the similarity of sentiment. Whether one chalks it all up to the recriminations of a dissatisfied insurgent or simply the honest expression of an intuitive observer, the music remains unflinching and incisive while making for a compelling and cohesive effort overall.

That said, the new album does find its namesake particularly pensive at times, especially on the ballad โSweet Heroine,โ one of the most indelible offerings of the entire album. So too, on a song like โSex Not Violenceโ and โDie For a Night,โ he tempers his approach in order to bring a more thoughtful side to the proceedings. โDonโt Goโ offers a more playful pastiche, which lightens things up considerably, although the urgency remains mostly intact, especially when it comes to a song such as โDonโt Feel Like Feeling Sad Today,โ one of the more emphatic numbers overall.ย
Ultimately, Yungblud makes it clear that seniority doesnโt hold a monopoly on insight or intellect. With this latest opus, Yungblud proves that point.
Photo courtesy High Rise PR








