George Harrison might have had the moniker of the โQuiet Beatle,โ but that doesnโt mean he didnโt speak up whenever he felt it was necessary, including turning rants into songs. Although Harrisonโs songwriting contributions to the Beatles paled in comparison to John Lennon and Paul McCartney (much to Harrisonโs chagrin), a handful of Harrison rants did make their way into the Fab Four catalogue.
Other emotional songs, many of which were directed at his former bandmates and business associates, came later in Harrisonโs solo career, unhindered by commandeering co-workers.
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โTaxmanโ
George Harrison might not have had as many songwriting credits to his Beatles legacy as John Lennon and Paul McCartney, but their 1966 album Revolver opened with one of his more fiery songs: โTaxman.โ As Harrison recalled in Anthology, โI had discovered I was paying a huge amount of money to the taxman. You are so happy that youโve finally started earning money. Then you find out about tax. In those days, we paid 19 shillings and sixpence out of every pound, and with supertax and surtax and tax-tax, it was ridiculous.โ
Now, my advice for those who die: declare the pennies on your eyes ’cause Iโm the taxman. Youโre working for no one but me.
โRun of the Millโ
Toward the end of the Beatlesโ tenure together, George Harrison made his frustrations with his bandmates and business associates more obvious. โRun of the Mill,โ which Harrison released on All Things Must Pass, describes these strained relationships. โIt was when Apple was getting crazy,โ Harrison recalled in I Me Mine. โRingo wanted it blue, John wanted it white, Paul wanted it green, and I wanted it orange. The problem of partnerships.โ
Everyone has a choice when to or not to raise their voices. Itโs you that decides which way you will turn while feeling that our loveโs not your concern. โIt was the first song I ever wrote that looked like a poem on paper,โ Harrison said in his autobiography.
โI Me Mineโ
The combination of psychedelic drugs and Eastern philosophy proved to be particularly potent for George Harrison, who underwent a significant emotional and mental transformation in the late 1960s. Harrison turned transcendental musings and rants into songs many times, including with the last track the Beatles ever recorded, โI Me Mine.โ The song sees Harrison wrestling with the concept of ego, prompted by an LSD trip. โHaving LSD was like someone catapulting me out into space. Suddenly, I looked around, and everything I could see was relative to my ego,โ he said in his autobiography.
All through the day, I me mine, I me mine, I me mine. All through the night, I me mine, I me mine, I me mine.
โWithin You Without Youโ
โWithin You Without Youโ marks another instance where George Harrison converted his frustrations with the Beatles and, more generally, his celebrity into a song. This track opened the B-side to Sgt. Pepperโs Lonely Hearts Club Band, meaning that Harrison was wrestling with these rants about ego, identity, counterculture, and fame years before the Beatles would officially call it quits. โI donโt personally enjoy being a Beatle anymore,โ Harrison admitted shortly after Sgt. Pepperโs release. โAll that sort of Beatle thing is trivial and unimportant. Iโm fed up with all this โme, us, Iโ stuff.โ
We were talking about the love thatโs gone so cold and the people who gain the world and lose their soul. They donโt know. They canโt see. Are you one of them?
Photo by David Magnus/Shutterstock
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