Album Reviews

Bette Smith: Jetlagger

Bette Smith
Jetlagger
(Big Legal Mess)
Rating: 4 out of 5 stars

From first listen to Bette Smith’s debut album Jetlagger, it’s clear the Bed-Stuy based artist has an uncompromising vision for who she is as a musician.

As if that’s not enough, it helps not only to record for scrappy indie Big Legal Mess, but to have the talents of Jimbo Mathus as producer, multi-instrumentalist and occasional songwriter on board, too. He took Smith down to the deep South and to unleash her Macy Gray-esque voice on a batch of tunes as powerful and taut as her wonderfully craggy voice. From the grinding Isaac Hayes tune โ€œDo Your Thingโ€ to the obscure Famous L. Renfroe-penned grinder โ€œSweet Angel of Joyโ€ and the closing chestnut โ€œCity in the Skyโ€ made famous by the Staple Singers, Smith stakes out her territory and torches everything in her path. A rugged, rocking cover of Lone Justiceโ€™s โ€œI Found Love,โ€ a cool find, is the first single and erupts out of the speakers with blowtorch heat.

Horns heighten the tension of โ€œDurty Hustlinโ€™โ€ one of a handful of Mathus originals reminiscent of the funk and soul found on Blaxploitation film soundtracks. They also drive the attack like Southside Johnny & the Asbury Jukes on Mathusโ€™ raucous โ€œManchild.โ€ Smith pens a few tunes of her own, including the soulful title track that finds the singer at her most guttural.

Everything was recorded live in the studio to capture the iron-fisted, garage power of the playing and the raucous, raw sound reflects that approach. Those familiar with old Ike & Tina Turner, Millie Jackson, and Sly & the Family Stone material will connect immediately with this earthy, exuberant replication of a time many classic soul lovers thought they would never hear again. Bette Smith is here to reassure them those days are back and with a debut full-length as sturdy and uncompromising as Jetlagger, sheโ€™s the swaggering proof that there is nothing dated about soulful rock and roll sung with attitude, defiance, and a take-no-prisoners aesthetic.