The Fab Four released a ton of music while they were together in the 1960s. And they continued to release deep cuts, first takes, demos, and more after the band called it quits. Thereโs a lot to pick through when it comes to Beatles deep cuts. Personally, Iโm a fan of the following three tunes. Letโs take a look!
โFree As A Birdโ
Can a song be a deep cut if it made it all the way to No. 6 on the Billboard Hot 100 chart and No. 2 on the UK Singles chart? Considering this band has a laundry list of memorable hits and โFree As A Birdโ rarely seems to make it to anyoneโs list, Iโll go ahead and include this standout track from Anthology 1.
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Released decades after the band broke up in 1995, โFree As A Birdโ was a fast hit for fans of The Beatles in the mid-1990s. Itโs a lovely John Lennon composition with a soft rock vibe to it. To be honest, Iโm really not sure why so many people forgot about it.
โTomorrow Never Knows (Take 1)โ
The album version of โTomorrow Never Knowsโ is obviously not a deep cut, but this first take certainly is. This is one of my all-time favorite Beatles deep cuts, and I only just discovered it a few months ago. Itโs somehow even more psychedelic than the album version. Truly, I find myself listening to this take more than the famous Revolver version. Youโll find the first take of โTomorrow Never Knowsโ on Anthology 2, released in 1996.
โAinโt She Sweetโ
This is not a Beatles original, but the Fab Four certainly did something cool with it. โAinโt She Sweetโ was originally composed and written by Milton Ager and Jack Yellen in the year 1927 as a jazz-pop tune. It was quite popular, particularly throughout the rest of the 1920s. The Beatles loved this tune quite a bit, and John Lennon was a fan of the tune for a while before it was brought to the Fab Fourโs plate. Their version was first released as a single in 1964, though it was originally recorded in 1961. If you want some Beatles deep cuts that showcase what the band sounded like when they first started, give this one a spin.
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(Original Caption) Charlie Daniels (3rd from left), the entertainer who dedicated his last album to "gun-rotting whiskey and hellatious fights" says he will not play gentle music just to please "damn Yankees drinking martinis" 1/20 at Jimmy Carter's inaugural reception. Daniels said he plans to play the same brand of foot-stomping Southern music he and his band have always produced. They are (from left), Charlie Hayward, Tom Crain, Daniels, Joel Digregorio, Don Murray and Fred Edwards.







