Merle Haggard enjoyed plenty of hits back in the 1960s. The country crooner already had a string of No. 1 hits on the US and Canadian country music charts by the time he got to โWorkinโ Man Bluesโ in 1969. That song, produced by Haggard and The Strangers, was a fine pathway into the 1970s. In that decade, Haggard would finally hit the coveted Hot 100 chart with a number of hit songs.
That string of luck didnโt start with โWorkinโ Man Bluesโ. But the song certainly did a lot more for Haggardโs image than just numbers on a chart. The song was a massive success on a cultural level, validating a whole group of fans that helped elevate Haggard to superstardom. And that group was blue-collar, working-class men.
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The Enduring Power and Reliability of โWorkinโ Man Bluesโ by Merle Haggard
On this very day in 1969, Merle Haggard made it to No. 1 on the Billboard Country Singles chart. The successful song was written by Haggard and is a tribute to American blue-collar working-class men. It would later become one of his signature songs. However, โWorkinโ Man Bluesโ was loved for much more than its catchy melody and Haggardโs smooth voice. Rather, it was (and still is) loved by Haggardโs main audience demographic because it made them feel seen.
It’s a big job just getting by with nine kids and a wife
But I’ve been a working man dang near all my life
And I’ll keep on working
As long as my two hands are fit to use
I’ll drink my beer in a tavern
Sing a little bit of these working man blues.
โWorkinโ Man Bluesโ was a celebration of hardworking Americans who kept the country rolling. The song explored the hardships of raising a large family, but also glorified the notion of hard work.
โWorkinโ Man Bluesโ was featured on Haggardโs 1969 record A Portrait Of Merle Haggard, which also featured other hits like โHungry Eyesโ and โSilver Wingsโ. Today, โWorkinโ Man Bluesโ and the whole of A Portrait Of Merle Haggard are considered classics. And the song has been covered time and time again by Haggardโs contemporaries and fans, including Jerry Lee Lewis, Gary Morris, and others.
Photo by Kent/Mediapunch/Shutterstock
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English rock and pop group The Hollies perform the song 'Sorry Suzanne' on the set of the BBC Television pop music television show Top Of The Pops at Lime Grove Studios in London on 27th March 1969. Members of the band are, from left, Tony Hicks, Bobby Elliott, Allan Clarke, Terry Sylvester and Bernie Calvert. (Photo by Ivan Keeman/Redferns)







