Folk music in the 1960s, particularly in the Greenwich Village scene in New York, was almost always political in nature. So much legendary protest music came out during the Vietnam War era. But no other genre was getting as vulnerable with their political songwriting as folk music was. Letโs take a look at a few particularly legendary folk songs from the 1960s that changed the way songwriters viewed political songwriting.
โBlowinโ In The Windโ by Bob Dylan (1963)
โYes, and how many times can a man turn his head and pretend that he just doesn’t see?โ
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Unsurprisingly, Bob Dylan makes it to our list. A few different songs could have taken his spot. But I chose โBlowinโ In The Windโ because of how widely loved it is among fans of folk and protest singers alike, the broader part of a century since it was released. โBlowinโ In The Windโ offers the listener a number of rhetorical questions about peace and freedom. The overall theme of the song is intentionally ambiguous. That ambiguousness has made it adaptable for use among many political and anti-war causes. And itโs a protest song that has yet to be truly matched.
โA Change Is Gonna Comeโ by Sam Cooke (1964)
โIt’s been a long / A long time comin’, but I know / A change gon’ come / Oh, yes, it will.โ
This still-iconic protest anthem was actually written after Sam Cooke heard Bob Dylanโs โBlowinโ In The Windโ for the first time. Thereโs your proof that Dylanโs 1963 song was influential in the world of political songwriting! โA Change Is Gonna Comeโ balances Cookeโs anger with the plight of the Black American and racism while injecting a soulful, soothing gospel element that inspires hope. That takes some serious talent, and Cooke made that balance of justified anger and uplifting hope look easy.
โFor What Itโs Worthโ by Buffalo Springfield (1966)
โChildren, what’s that sound? / Everybody look what’s going down.โ
Remember this classic from 1966? Stephen Stillsโ โFor What Itโs Worthโ makes it to our list of folk songs from the 1960s that changed political songwriting because it observed and challenged the generational gap between 1960s youths and those in authority. Written after the Sunset Strip curfew riots in 1966, โFor What Itโs Worthโ ended up having a huge impact as an anthem of anti-war sentiments during the Vietnam War and beyond. And that chorus is instantly recognizable to just about anyone.
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