The hook is the heart of a pop song and usually what makes a pop song a hit, no matter the era. Back in the 1980s, there was a formula for crafting the perfect pop hooks. They had to be punchy, bouncy, of-the-era (as in, synthy), and as memorable as humanly possible. The following three pop songs ended up being big radio hits, but their hooks werenโt what youโd expect at the time in the 1980s. Letโs take a look!
โRock Me Amadeusโ by Falco (1985)
This one was really a wild card. No one really expected what was basically spoken-word German-language rap music about classical composers to make such waves on English-language pop music radio. However, the Cold War was a weird time, and a lot of great music came from German musicians during that difficult time. โRock Me Amadeusโ was incredibly memorable, and it was a No. 1 hit on the Billboard Hot 100, the UK Singles chart and, of course, the West German and Austrian charts. Sadly, it would be Falcoโs only Top 10 hit in the US.
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โSledgehammerโ by Peter Gabriel (1986)
Peter Gabriel had a great time in the 1980s, both in and out of Genesis. โSledgehammerโ is one of his solo works, and itโs basically his signature song at this point. โSledgehammerโ was a huge dance-rock hit in 1986, peaking at No. 1 on the Hot 100, among other pop charts. And itโs really not like anything else in pop from that year. Sure, the song draws from 1960s soul and funk, which wasnโt new at all by the time Gabriel dropped this song. But it used those structures, complete with groovy horns, to construct a pretty modern-sounding (for 1986) hook. He did it without relying on synths, too. Now thatโs talent!
โTake On Meโ by a-ha (1985)
Extremely high, falsetto vocal tricks arenโt anything unique by todayโs standards. But back in the mid-1980s, nobody was really doing that in rock or pop music. Sure, the hair metal bands were wailing away, but nobody was hitting notes quite like Morten Harket was in โTake On Meโ. That chorus is incredibly legendary, and even those who werenโt alive in the 1980s know this pop hook more than most pop hooks from the era. The hook in โTake On Meโ by a-ha also relies on a sudden melodic shift rather than rhythmic changes. Itโs quite unique and quite delightful to hear every time.
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(Original Caption) Charlie Daniels (3rd from left), the entertainer who dedicated his last album to "gun-rotting whiskey and hellatious fights" says he will not play gentle music just to please "damn Yankees drinking martinis" 1/20 at Jimmy Carter's inaugural reception. Daniels said he plans to play the same brand of foot-stomping Southern music he and his band have always produced. They are (from left), Charlie Hayward, Tom Crain, Daniels, Joel Digregorio, Don Murray and Fred Edwards.







