The 1980s is a bit of an underrated era for country music. Not quite at the cusp of country pop, yet still moving away from traditional country sounds, the 1980s was a time for a lot of experimentation and change in the country music world. And when it comes to the 1980s, these four country songs defined the era quite beautifully.
Keep in mind that this list is far from definitive. Weโre just fans of these four hits, in particular.
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1. โAlways On My Mindโ by Willie Nelson
This 1982 hit by Willie Nelson has to be one of the most memorable country songs of the era. Even non-fans of the genre recognize it; itโs a truly gorgeous country love song.
โAlways On My Mindโ nabbed Willie Nelson a few lucrative Grammy awards and CMA wins, including Song Of The Year wins for two years in a row. โAlways On My Mindโ is a real charmer that proved that outlaw country wasnโt quite over yet in the 80s.
2. โHe Stopped Loving Her Todayโ by George Jones
This George Jones classic is one of the most memorable country songs of the 1980s. And, according to quite a few fans, โHe Stopped Loving Her Todayโ is also one of the most gut-wrenchingly sad country songs ever. To many, itโs also the greatest country song ever written. Naturally, thatโs up to you to decide.
Released in 1980, this heartbreaking ballad was actually written by Curly Putman and Bobby Braddock.
3. โKillinโ Timeโ by Clint Black
This Clint Black classic was released at the tail-end of the 1980s, but we think itโs still worth mentioning on this list. Few musicians have put out country tunes in that decade that have become so closely associated with a point in time, and โKillinโ Timeโ is about as nostalgic as it gets. โA Better Manโ could have made it to this list, too.
4. โI Was Country When Country Wasn’t Coolโ by Barbara Mandrell
Remember Barbara Mandrell? She put out one of the most memorable yet still underrated country songs of the 1980s. โI Was Country When Country Wasnโt Coolโ was released in 1981 and led to Mandrell taking home several Entertainer Of The Year awards from the CMAs.
The song is often seen as a response to the cultural growth of neo-country and country pop, and Mandrell sticks to her traditional country roots on this one.
Photo by Clayton Call/Redferns
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