The Fratellis Rocks Out In Celebration of “Six Days in June”

Life can change in an instant. If you had – at just the right time – read an ad on a Scottish music message board, then you too might be in the popular Glasgow-based rock ā€˜nā€™ roll band, The Fratellis. Because at that time, some 15 years ago, only two other people responded to a post that front man, Jon Fratelli, put out. Those musicians – Mince and Barry – comprise, along with Jon, the hit trio. Flash forward to today and the rock group is set to release its sixth studio LP, Half Drunk Under a Full Moon, in the fall on October 30th. The band will celebrate that reality today with the official unveiling of its newest music video for the song, ā€œSix Days in June,ā€ which we are happy to premiere here.

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ā€œBarry and Mince were the only people who replied to the advert,ā€ says Fratelli. ā€œNobody else called. Thatā€™s clearly a sign that we were supposed to find each other. We didnā€™t have to make much effort.ā€

That the members of The Fratellis didnā€™t have to grind gears to get where they were going is a testament to the chemistry between them. Fratelli, in fact, makes a point to say that the group doesnā€™t take itself or its music too seriously. But that is not to say that the members, Fratelli included, donā€™t care about what they do or that they donā€™t invest in their work. Indeed, the band members walk a unique line of mirth and freedom while also incorporating deep energy and effort. The result is a thoughtful, buoyant and often joyful mix.

ā€œWeā€™d all been in various bands and projects,ā€ Fratelli says. ā€œI think we all did the slog up until that point. So, when we met and started playing together, it was instant. From the very first time we got into a room to play, I had no doubt that this was the thing that was going to work. It was basically the thing I had been searching for forever. It wasnā€™t arrogance, it was almost like fortune telling.ā€

Listening to The Fratellis, one might think the bandā€™s front man would always be throwing a pint of beer in the air with a bombastic CHEERS! But in fact, Fratelli is calm and mild-mannered when not center stage. Music and performance, for him, help to provide a balance to his more personal day-to-day.

ā€œLike everybody else,ā€ he says, ā€œI have to live with myself all the time. The reason we distract ourselves – if you had to live with just yourself all the time, that would become really dull and drive you crazy. I wouldnā€™t be surprised if itā€™s very normal – if creative people in some way regularly go down completely different roads from their everyday life.ā€

Fratelli, who started playing music at 9-years-old (piano lessons first, which he didnā€™t like), began to invest more deeply into the art form at 16-years-old. Despite living in Glasgow, Fratelli says he did not end up part of the local scene. Heā€™s always had a fear of scenes, he says. And his instincts have proven accurate along the way. The Fratellis have sold myriad albums and achieved a Top 5 hit with their single, ā€œChelsea Dagger,ā€ which boasts over 36 million YouTube views, alone.

But what pushes the band to success is the membersā€™ refusal to stand still in their work. For Half Drunk Under a Full Moon, Fratelli adopted a new writing technique that he has yet to go back to since composing the bandā€™s latest 10-track record. For the LP, he thought of colors and wrote songs based on those he wanted to incorporate on the album.

ā€œI was hearing music in color,ā€ he says. ā€œBut the bigger point was that I wanted to write certain colors. I felt like we needed a lilac song, so I wrote a lilac song. That was pretty intense and it hasnā€™t happened since. Recording that way created the most labor-intensive record that we have ever made. Iā€™m not sure I would do that again. It pushed me, personally, as close to the line as I think I could get. But Iā€™m pretty sure it was worth it.ā€

Releasing a video for the bandā€™s song, ā€œSix Days In June,ā€ makes perfect sense. The song is celebratory, fun – two words people havenā€™t often used in the current age of COVID-19. Itā€™s the type of track that you play in a pub or common area and everyone begins to sing. Itā€™s something around which people can gather. In fact, itā€™s reasons like these that drive Fratelli to continue making music. For Fratelli, the art form provides a way to communicate to his fellow human beings that no verbal language could ever achieve.

ā€œThere are certain mediums like film and theater and music that defy language,ā€ Fratelli says. ā€œLanguage can come close to communicating what it is that youā€™re trying to say, but it really canā€™t get you all the way over the line. Music means so much to me that trying to come up with a word or sentence to describe it would be too difficult.ā€  

Photo: Nicky Sims

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