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Lady Gaga

Mother Monster is So Back: Lady Gaga’s ‘MAYHEM’ Brings Her Classic Imagery to the Forefront Again

PJ Harvey

It’s My Birthday and I’ll Listen to PJ Harvey’s 30-Year-Old Album ‘To Bring You My Love’ If I Want To

The Lumineers

The Lumineers Are More Connected Than Ever On New Album ‘Automatic’

Man/Woman/Chainsaw

Newcomers Man/Woman/Chainsaw Just Put Out One of My Favorite Post-Punk EPs of the Year

Orville Peck

Orville Peck Partners Up for Musically Diverse, Yet Aesthetically Strong Duets Album ‘Stampede’: A Review

More stories

Lizzy McAlpine Grows Through Heartbreak and Yearning on Self-Reflective New Album ‘Older’

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Review: Simple Minds’ Not So Simple Return

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Review: Travis Scott’s Return on ‘UTOPIA’ is Everything Rap Needed, and Then Some
Review: Lori McKenna Shares Her Life Lessons

July 25, 2023, 10:00 am
Review: Marshall Crenshaw’s 1983 Release ‘Field Day’ Gets 40th Anniversary Upgrade

July 14, 2023, 6:36 am
Review: Jonah Tolchin Gets Into His Flow on New Album, ‘Lava Lamp’

August 28, 2022, 9:15 am
Review: Dawes Color Outside the Lines in ‘Misadventures of Doomscroller’

August 28, 2022, 9:00 am
Review: Josh Rouse Goes Places in New Album ‘Going Places’

August 26, 2022, 8:00 am
Review: The Sadies’ ‘Colder Streams’ is the Last Album For Late Guitarist Dallas Good
Review: Ben Harper Returns with a Musical Gauntlet on ‘Bloodline Maintenance’

July 21, 2022, 11:21 am
Review: Tami Neilson Captivates on Fifth Album, ‘Kingmaker’

July 16, 2022, 11:01 am
Review: Painted Shield Uses Technology To Create Compelling Music

April 20, 2022, 8:15 am

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