The List

4 Forgotten Pop Hits From 1989 That Still Sound Fresh Today

At the tail end of the 1980s in 1989, pop hits across quite a few genres were all over the top of the charts. Sadly, over the years, many of those iconic pop hits from 1989 have been forgotten by modern-day listeners. Letโ€™s change that, shall we? These four tunes deserve just as much love today as they did when they first dropped in 1989.

โ€œI Drove All Nightโ€ by Cyndi Lauper from โ€˜A Night To Rememberโ€™

This dramatic synth-driven jam from 80s queen Cyndi Lauper still hits so good today. Sadly, though, I canโ€™t remember the last time I heard it on the radio.

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โ€œI Drove All Nightโ€ was originally intended for Roy Orbison to record, but his version wasnโ€™t released until the early 1990s. Cyndi Lauperโ€™s version is technically the first to hit the airwaves, and it was a Top 10 hit across the globe.

โ€œWhen I See You Smileโ€ by Bad English from โ€˜Bad Englishโ€™

This pop-rock jam from Bad English had the squeaky-clean production and big sound of a pop hit for the era, and it definitely deserved the love it got from mainstream audiences. โ€œWhen I See You Smileโ€ by Bad English peaked at No. 1 on the Billboard Hot 100 and also topped the pop charts in Canada.

โ€œHeavenโ€ by Warrant from โ€˜Dirty Rotten Filthy Stinking Richโ€™

This jam from Warrant might be glam metal, but it was a definite pop hit on the mainstream charts. But for some reason, even on classic rock radio, I never really heard โ€œHeavenโ€ anymore. That should change, because this song still slaps. โ€œHeavenโ€ by Warrant was a radio smash hit, peaking at No. 2 on the Hot 100 in 1989.

โ€œSowing The Seeds Of Loveโ€ by Tears For Fears from โ€˜The Seeds Of Loveโ€™

Most people think of โ€œEverybody Wants To Rule The Worldโ€ when they think of Tears For Fears. However, the band had plenty of other very memorable songs. Itโ€™s a shame that โ€œSowing The Seeds Of Loveโ€ makes it to our list of forgotten pop hits from 1989, as itโ€™s really an excellent psych-pop-influenced jam with almost modern-sounding production. This baroque-pop-leaning tune peaked at No. 2 on the Hot 100 and No. 5 on the UK Singles chart.

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