Country music’s 1970s power couple George Jones and Tammy Wynette’s short-lived marriage was an infamously tumultuous footnote to their iconic careers, which they shared even after divorcing for the second time in 1975. Unsurprisingly, their relationship began as turbulently as it ended.
The story of Jones and Wynette first confessing their love to one another is worthy of a soap opera, and every party involved has a different version of the dramatic episode. But in any case, one thing was certain: the fight ruined dinner.
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Setting The Strained Scene For George Jones and Tammy Wynette’s Confession
George Jones and Tammy Wynette first crossed paths as successful country musicians. The two singers began touring together in the late 1960s when Wynette was still married to her second husband, another musician named Don Chapel. After recording and touring together for a year, several people close to the duo (including Chapel) grew suspicious of their relationship.
However, Jones and Wynette admitted to nothing…until one fateful night in 1968. According to Tammy Wynette: Tragic Country Queen, the pair’s confession came about at the same time that Wynette’s three children were in the hospital with food poisoning. Chapel later recounted seeing Jones parked at the hospital whenever it was Wynette’s turn to watch the children. He also remembered hearing from a nurse that Wynette had left for a parking lot rendezvous with Jones. (Wynette insisted Jones was there as a family friend to help with the children and nothing more.)
Whatever the reason, Chapel was on edge when Jones arrived at their house unexpectedly the next day with Jones’ manager, Bill Starnes. Starnes recalled Wynette playing Jones’ version of “When the Grass Grows Over Me,” a track Chapel had also recorded, while preparing dinner. The tension between Chapel and Wynette quickly reached a fever pitch, becoming a full-blown verbal fight.
George Jones’ Drunken Intervention Between Tammy Wynette and Don Chapel
In his autobiography, I Lived To Tell It All, George Jones remembered the fight between Don Chapel and Tammy Wynette coming out of nowhere. “I was just sitting there quietly drinking,” Jones wrote. “I found out later that Don was jealous of me and knew I was sweet on his wife. Their voices raised, and Don called Tammy a ‘son of a b****.’ That was uncalled for. I felt rage fly all over me.”
Jones described flipping the dinner table, causing dishes and utensils to crash around them. Wynette later claimed Jones threw a chair through the dining room window, but no other party present mentioned that in their story. Per Chapel, Jones didn’t flip the table over; he was so drunk that he knocked it over. Either way, everyone seemed to agree that Jones said immediately after the clatter, “Don’t talk to her that way! She’s not a son of a b****!” Chapel replied, “What the hell are you interfering for? She’s my wife. What the hell business is it of yours?”
What came out of Jones’ mouth next surprised even him. “Because I’m in love with her!” Jones said, and a heavy silence fell across the room. “And I’ll tell you something else,” he continued. “She’s in love with me, aren’t you Tammy?” Wynette, shocked, finally admitted that yes, she did. Jones and Wynette gathered the singer’s three children and left together that night.
An Explosive Start To An Equally Explosive Marriage
George Jones and Tammy Wynette married in 1968, but their marriage didn’t last a decade. As Jones’ alcoholism worsened, problems in the couple’s relationship became harder to ignore. Wynette first filed for divorce from Jones in 1973 but changed her mind. Two years later, she would file again—permanently this time. Nevertheless, the pair continued to work as colleagues, recording and touring together as an iconic country music duo.
“George is one of those people who can’t tolerate happiness,” Wynette later told the press (via Tragic Country Queen). “If everything is right, there’s something in him that makes him destroy it. And destroy me with it.”
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Despite its fantastical origin story of surviving a shrapnel attack in the Vietnamese jungle, the D-28 met its demise on a flight to Hawaii. Not only did the turbulent flight damage the instrument in storage; someone later stole the guitar from the luggage carousel. Mitchell was never able to find her long-lost instrument, something she’s lamented for years. Aside from the sentimental connection guitarists typically have to their first ax, Mitchell was particularly fond of her Martin for functional reasons. After a bout of childhood polio affected Mitchell’s ability to form chord shapes in standard tuning, the singer-songwriter had to adapt with eccentric tunings that allowed her to create rich harmonic structure with limited mobility. Whether open, an octave below, or otherwise, Mitchell’s unique tunings placed stress on the guitar neck that it wasn’t originally made to endure. Moreover, to ensure the dissonance within her tunings was purposeful and not merely off-pitch, Mitchell needed a guitar with pristine intonation—something she frequently lauded the D-28 for having. “I need really good intonation,” she explained to Acoustic Guitar. “One of the signs of really good intonation is how flashy the harmonics are with a light touch. You should be able to get them to bloom like jewels.” While Mitchell has found other guitars that come close in that department, as she put it in her 1996 magazine interview, “I’ve never found an acoustic that could compare with it.” Photo by Central Press/Hulton Archive/Getty Images -

Drummer Ringo Starr of English rock band the Beatles during a reception at the London home of the group's manager Brian Epstein, 20th May 1967. The Beatles' song 'A Day In The Life' had recently been banned by the BBC for its references to drug-taking. (Photo by John Pratt/Keystone/Hulton Archive/Getty Images)






