If you’re only familiar with the three biggest hit singles from Green Day’s 2004 album, American Idiot, they might seem completely disconnected from each other. But in the cases of “Holiday” and “Boulevard of Broken Dreams,” the songs are part of a narrative created primarily by the band’s lead vocalist and guitarist, Billie Joe Armstrong. American Idiot is a “punk rock opera” that tells the story of Jesus of Suburbia, who was raised in neglect and decides to leave the hypocrisy of his American suburb. (The third of those singles, “Wake Me Up When September Ends,” is actually not connected to the album’s larger story.)
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Armstrong’s lyrics careen back and forth between the personal story of Jesus of Suburbia and the larger forces at play in 21st-century America, and “Holiday” belongs in the latter category. It’s an anti-war statement, and given how little we know about Jesus of Suburbia by the time “Holiday” makes its appearance as the album’s third track, it’s one that seems to be coming from Armstrong’s perspective, not that of the album’s main character.
A Callous Government and an Uncaring Public
The story of American Idiot can be interpreted to be a general commentary on life in the U.S. But there are plenty of references specific to the time Armstrong was writing lyrics for the album. Green Day began recording American Idiot in April 2003, just as U.S. military forces were invading Iraq. “Holiday” is about that invasion, but it’s also about how the apathy of U.S. citizens allowed it to take place.
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In the first verse, Armstrong makes his disapproval clear, making reference to those who pressed for the war: Hear the dogs howlin’ out of key / To a hymn called “Faith and Misery.” In the chorus, Armstrong succinctly reinforces his opposition to the war. He holds Americans who are “on holiday” from involvement in their own public life accountable, and warns us to expect more of the same going forward.
I beg to dream and differ from the hollow lies
This is the dawning of the rest of our lives
On holiday
Armstrong uses the second verse to underscore his perspective from the first verse, but with different imagery. In beginning the verse with Hear the drum poundin’ out of time / Another protestor has crossed the line / To find the money’s on the other side, Armstrong once again paints the George W. Bush Administration as being out of step with the public.
The second half of this verse serves two purposes. Can I get another Amen? Amen! was a line Armstrong wrote with the intent to elicit a response from the audience when Green Day would perform the song live. And then these are the final lines of the verse: There’s a flag wrapped around a score of men / A gag, a plastic bag on a monument. This was another way Armstrong illustrated what he saw as the Federal Government’s disregard for those who sacrificed themselves for their country.
Tell Us What You Really Think, Billie Joe
One of the most distinctive and memorable parts of “Holiday” is Armstrong’s spoken-word bridge. It begins with Armstrong impersonating a legislator presiding over a session. He cedes the floor to “the representative from California”—ostensibly a reference to Armstrong himself, a native of the Bay Area.
Armstrong doesn’t mince words. He opens this section with Sieg Heil to the President Gasman / Bombs away is your punishment. These two lines alone give listeners a lot to unpack, with references to Adolf Hitler, Bush’s and Vice President Dick Cheney’s ties to the petroleum industry, and their use of the military for retaliation. Then Armstrong takes aim at the administration for suppressing dissent.
Pulverize the Eiffel Towers
Who criticize your government
Bang bang goes the broken glass and
Kill all the f–gs that don’t agree
The Eiffel Tower and broken glass references draw additional parallels between Nazi Germany and the Bush administration. The specific reference evokes Hitler’s desire to destroy the Parisian landmark and Kristallnacht. Armstrong also makes note of the homophobic appeals commonly used by some to rally support for the war.
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The Impact of “Holiday”
“Holiday” was the third of five singles released from American Idiot. It peaked at No. 19 on the Billboard Hot 100 and reached No. 1 on Billboard’s Alternative Airplay and Mainstream Rock charts. It has also received more than 300 million streams on Spotify. “Holiday” was certified Platinum in August 2008. And American Idiot was Green Day’s first No. 1 album on the Billboard 200; it spent three weeks in the top spot.
Numerous artists, including bluegrass cover band Hayseed Dixie, have recorded their own versions of “Holiday.” The song was also used in the 2005 video game Tony Hawk’s American Wasteland. It was not, however, included on the game’s soundtrack album, which reached No. 148 on the Billboard 200.
As a hit single, “Holiday” works both as a standalone protest song and as an integral part of the story in American Idiot. Between Armstrong’s scathing lyrics, the song’s catchy riffs, and the band’s energetic and impassioned performance, “Holiday” figures to be an important part of Green Day’s legacy for years to come.
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