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Should Venues Take a Percentage of Band Merch Sales? The Eternal Question

It’s the 21st century.

That means, of course, that no one really pays for recorded music. Long gone are the days when a myriad of bands would sell tens of millions of albums with a given release. Now, the most that bands (read: 99%) can hope for is to earn that many streams, which, of course, we all know equates to mere fractions of pennies on the dollar. For reference, check this hand-dandy stream chart here.

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So, how do most bands make money?

Two ways, really: live performance and merchandise sales (read: t-shirts, buttons, hats, and the like).

But there is an issue with the latter. Today, many venues require bands to pay them a percentage of their merchandise sales. Often, from headliners to opening acts, the split is 20/80โ€”meaning, for every dollar a band makes selling a t-shirt, the venue gets 20 cents.

At face value, this might make sense to most people. The venue is providing the space that allows fans to attend a show and fans are the ones buying merchandise, so, for that, the venues should make a bit extra. Right? There is a partnership between the bands and the venue starting with ticket sales, and so, the same should be applied to merch then, no?

Why shouldn’t there also be a deal when it comes to merchandise sales, too?

But by digging a little deeper, or applying that same idea to other items sold on the night of a given show, the disparity becomes a bit more clear. Julia Shapiro, a soloist and a prominent member of bands like Chastity Belt and Childbirth, points it out clearly and succinctly.

Writes Shapiro, who is currently on tour with Kurt Vile, in a recent tweet, “if the venue is taking merch cuts, bands should be able to take cuts from the bar.”

She adds, responding to the question, “Donโ€™t venues rely on that money to survive? Weโ€™ve lost so many”: “bands rely on that money to survive. and there would be no venues without bands.”

Indeed, if there is a partnership between the venue and the acts to attract people to a certain space and that partnership equates to the splitting of sales on goods and services, why aren’t bands given a percentage of drink (and food) sales? There would be no alcohol or food sales without fans of a band wanting to hear live music, right?

Ticket sales are split. Merch sales are split. But food and drinks are not? Is this fair? For Shapiroโ€”and likely many more bands, tour managers, and moreโ€”it’s not.

What are your thoughts? Let us hear them below.

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