Who doesnโt vibe with the music of the mid-1970s? It was a solid era for rock music, at the very least. Pop music wasnโt half-bad during that few-year period, too. And if youโre a musician in need of some lessons from the rock stars of old, the following songs from 1975 might just teach you a thing or two. Letโs take a look!
โIdiot Windโ by Bob Dylan
This folk rock classic from Bob Dylanโs Blood On The Tracks is a fine lesson in songwriting in general, but more so when it comes to creating art out of a bad situation. Translating oneโs trauma or bad experiences into a listenable song that is both relatable and unique is no easy feat. Dylan, being one of the finest songwriters of his generation, managed to make it look easy with the whole of this album about his crumbling marriage. Dylan may have denied that this song, specifically, is autobiographical, but itโs hard not to read the writing on the wall.
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โTen Years Goneโ by Led Zeppelin
If youโre more of an instrumental artist, this famous song from Physical Graffiti is a masterclass in overdubbing. This song features a whopping 14 overdubs, particularly of Jimmy Pageโs guitar tracks. The riffs weave in and out of each other like waves, resulting in a dramatic and ever-expanding soundscape that only continued to evolve with live performances. Thereโs a reason why Led Zeppelin fans love โTen Years Goneโ so much. Itโs really a unique, standout production among Led Zeppelinโs other songs on this particular album.
โCortez The Killerโ by Neil Young and Crazy Horse
Lyricism is, in my opinion, the hardest aspect of creating a memorable song. Itโs an art form of its own, and โCortez The Killerโ by Neil Young and Crazy Horse is a fine example of storytelling translated into the art of song perfectly. This is one of the most impressive rock songs of 1975, namely through its epic storytelling and historical significance. The whole of Zuma is worth exploring, but this particular song has some amazing storytelling to study. Plus, those guitar solos offer a glimpse of the sweet spot between improvisation and perfectionist riff-writing.
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