If Iโve said it once, Iโve said it a thousand times: the 1970s might be the all-time best decade for rock โnโ roll, from both an innovative and song-specific perspective. However, this musical magic seemed to carry over into the early 1980s, as proven by these four incredible rock songs from 1981, celebrating their 45th birthday this year.
โStop Dragginโ My Heart Aroundโ by Stevie Nicks and Tom Petty
Tom Petty might have had his qualms when he heard his old demo turned into a duet by Stevie Nicks, but thank goodness Nicks decided to ask for forgiveness instead of permission. Petty gifted Nicks โStop Dragginโ My Heart Aroundโ after he decided not to use it. Unbeknownst to Petty, Nicks kept his scratch vocals on the demo and turned the song into a duet. A mightily successful one at thatโthe track from Nicksโ solo debut Bella Donna peaked at No. 3 on the Hot 100.
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โThe Strokeโ by Billy Squier
Personally, I feel like Billy Squier is a woefully underappreciated rock โnโ roll star from the 1980s. Songs like โThe Strokeโ are the reason I feel that way. To be clear, I know heโs still more ubiquitous than other rockers. But peruse national classic rock radio stations, and youโre far more likely to hear a cut from Bob Seger or Bon Jovi than Billy. Of course, any sting that might still deliver today is likely soothed by the triple-platinum rating of Donโt Say No, which features โThe Strokeโ.
โStart Me Upโ by The Rolling Stones
The Rolling Stonesโ 1981 album Tattoo You might be full of studio outtakes, but itโs anything but a throwaway album. The albumโs opening track, โStart Me Upโ, has become a career-defining song and crowd favorite that, appropriately, opens many Stones shows. As we celebrate this trackโs 45th birthday, we canโt help but marvel that The Rolling Stones had already been performing and recording music for nearly two decades at that point.
โAnother One Bites The Dustโ by Queen
Finally, Iโd be remiss if I didnโt include a Queen song in this conversation about incredible rock music from 1981. โAnother One Bites The Dustโ might be nearing clichรฉ status at this point (if it isnโt already there). Nevertheless, it became so intensely well-known for a reason. That bass line is truly infectiousโan unsurprising characteristic of a song written by the bandโs bassist, John Deacon. Indeed, the song sounds like a bassist wrote it, and Freddie Mercury’s powerful vocal performance makes it even more impactful.
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