The 1970s were a treasure trove of musical excellence, when mainstream charts were full of the best tracks in a wide array of genres, talent was raw and real, and there was a greater prioritization of artistic aptitude than aesthetic appeal. Simply put, some of the most iconic music of all time came from the 70s. And while there was great music coming out throughout the entire decade, there was something particularly special about 1971.
If I had to distill that special feeling into four goosebump-inducing songs from 1971, it would be these four.
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โMy Old Manโ by Joni Mitchell
To be fair, I believe the entirety of Joni Mitchellโs Blue deserves a spot on this list. However, for brevity, fairness, and sentimentalityโs sake, Iโve narrowed it down to โMy Old Manโ, a particularly special song in my own life. The piano-led ballad is a sweet, somewhat rebellious snapshot of blissful domestic life with another person. When Mitchell offers the converse in minor, โbut when heโs gone, me and them lonesome blues collide,โ it immediately sends goosebumps down my arm. Getting to relate to that lovesick feeling is a blessing.
โWhatโs Going Onโ by Marvin Gaye
Marvin Gaye released โWhatโs Going Onโ on the album of the same name in January 1971. Decades later, the title track remains as startlingly relevant as ever. One of the most impressive features of this song was Gayeโs ability to make such an infectious groove while delivering such a powerful and pained message. โFather, father / We donโt need to escalate / You see, war is not the answer / for only love can conquer hate / You know weโve got to find a way / to bring some loving here today.โ
โTake Me Home, Country Roadsโ by John Denver
Perhaps this will out me as an Appalachian at heart, but itโs hard not to get goosebumps when listening to the classic John Denver tune, โTake Me Home, Country Roadsโ. Sure, one could argue that itโs a little overplayed at this point. Thatโs fair. But thereโs something viscerally moving about the lines โdark and dusty, painted on the sky / misty taste of moonshine, teardrop in my eyeโ that makes me feel inclined to run up to the hills and hide away in a holler for a while.
โThe WASP (Texas Radio And The Big Beat)โ by The Doorsย
I came across Jim Morrisonโs poetry at a particularly nihilistic time in my life, which, as one might imagine, was the perfect time to come across the Lizard Kingโs prose. The Doors included a bit of this in โThe Wasp (Texas Radio And The Big Beat)โ off L.A. Woman. The pseudo-theatrical piece is tucked away as the penultimate B-side track. But there are some great liners. โI tell you this, no eternal reward will forgive us now for wasting the dawn.โ
Photo by Don Smith/Radio Times via Getty Images
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CLARKSTON – JULY 14: Guitarist Porl Thompson, bass player Simon Gallup, musician, songwriter and lead singer Robert Smith, drummer Boris Williams and keyboard player Laurence 'Lol' Tolhurst, all members of the English rock band The Cure, pose for a portrait backstage at the Pine Knob Music Theatre on July 14, 1986, in Clarkston, Michigan. (Photo by Ross Marino/Getty Images)







