Fender's iconic sparkle-finish guitars—an essential chapter in what is inarguably one of the most influential portfolios of modern guitar design. Born out of Midcentury Southern California's postwar car culture and aspirational middle-class futurism, Fender's sparkle-finished guitars evoke hot rods in a dry lake bed, or perhaps custom Fords and Chevys cruising a small-town strip for milkshakes.
Indeed, according to a story published on Fender.com, the first sparkle Fenders were painted in—you guessed it—a hot rod shop. Or, rather, a Fullerton furniture shop, where employee and custom car enthusiast Dennis Swiden used his Binks Model 7 paint gun to gussy up cars and guitars as a side hustle. Since Fender guitars were easy to take apart and put back together again, custom paint jobs were a reasonable mod.
Now, surf guitarists and rock-n-rollers were, naturally, the first players to deck out their axes in flashy metal-flake paint. But what if I told you that one of Country music's biggest stars was just as influential in Fender's decision to produce and market Sparkle-finish guitars at scale?
In 1964, Buck Owens and his lead guitarist, Don Rich, were the first Fender artists to be pictured in a Fender Guitars ad with sparkle-finish guitars—crushed glass mirror "Silver Sparkle" Telecasters with rope bindings, to be exact. These cowboy-cadillac guitars were gifted to the pair by Fender for helping put the Telecaster on the map, courtesy of the Bakersfield sound and its signature Tele twang. Sparkle suits, sparkle guitars—it just made sense.
By 1966, Fender's sparkle-finish guitars were in full production. One can't help but speculate that Buck and Don's public use of Sparkle Teles, not only in print but also in the Buck Owens television show, would have drummed up a lot of demand among country music players looking to lend a little glitz and glamor to their own stage acts.
Get the full story at Fender.com to learn more about the development and history of Fender's sparkle finish guitars.
Comments
Loading…